SOLO EXHIBITIONS
2007
- Centro Cultural Matucana, Santiago de Chile, Chile
- Santiago Sierra, New Works, Lisson Gallery, London, UK. www.santiago-sierra.com 200709_1024.htm' 21 Anthropometric modules made from human faeces by the people of SULABH international, India. Nueva Delhi/Jaipur, India, 2005/2006
- 1549 Crimenes de Estado. Antiguo Edificio de la Secretaría de Relaciones Exteriores de la Plaza de las Tres Culturas, Tlatelolco, Mexico City
- Himnos, Cabildo de Montevideo, Montevideo, Uruguay
- Proyecto Caracas. Santiago Sierra, Sala Mendoza, Caracas, Venezuela
- Concierto para Planta Eléctrica a Diésel, Salon Experimental de la Fundación Chacao, Caracas, Venezuela
- Submission, 'Proyecto Juárez', México City, México
- Santiago Sierra, Prometeogallery, Milan, Italy
2006
- Illumination of the space between two plains, Contemporary Art Center of Malaga-CAC, Málaga, Spain
- The Punished. Landgericht Frankfurt, Gerichtsstrasse 2, Kleinmarkthalle, Hasengasse 5-7, U-Bahn Hauptwache, S-Bahnzugang Hbhf, Deutsche Bibliothek, Adickesallee 1, Stadtbücherei, Zeil 17, Senckenberg Museum, Senckenberganlage 25, J-W.- Goethe Universität, Hauptgebäude, Senckenberganlage 31, Fine Arte Fair, Messe Frankfurt Halle 9, Frankfurt, Germany
- 114 Stommeln citizens & 245 m3, Synagoge Stommeln, Germany
- Jewels collection. Designed by Chus Bures, Madrid, Spain
- 89 Huichols, San Andrés Jalisco, Jalisco, México
2005
- 102 Beggears, Plaza del Estudiante, 20, Mexico D.F.
- 396 Women & The Corridor in the House of the People & Psychophony recordered in the house of the people, House of the People, Bucharest, Romania
- House in Mud, kestnergesellschaft, Hannover, Germany, Maschsee-Projekt
- One person, Galleria Civica di Arte Contemporanea, Trento, Italy
- The visit, Colonia Polanco, Mexico City, Mexico/Daimler Chrysler-Mercedes Benz factory, Bremen, Germany
- Position Exanche for two dinstict, 30 metre volumes of earth, Demilitarized Area Between North and South Korea
- Loudspeakers, Entrance to the Arsenale, Venice
2004
- Museum Dhondt-Dhaenens, Belgium
- 100 Constructions with 10 Modules and 10 Workers, Peter Kilchmann Gallery, Zurich
- Kunsthaus Bregenz, Bregenz
- CAC Centre d'Art Contemporain de Brétigny, Paris
2003
- Outdoor project, Galerie Helga de Alvear, Madrid
- The Spanish Pavillion at the Bienale di Venezia Venice
2002
- Hiring and Arrangement of 30 Workers in Relation to their Skin Color, Kunsthalle Wien, Vienna
- Space closed by corrugated metal, Part 1: Sept. 10 - Oct. 10 and Group of people facing a wall, Person facing into a corner, Part 2: Lisson Gallery, London
- 3000 digs of 180 x 70 x 70 cm each, Fundación NMAC, Montenmedio, Cádiz, Spain
- Nine forms of 100 x 100 x 600 cm each, constructed to be supported perpendicular to a wall, Deitch PROJECTS, New York, USA
- Spraying of Polyurethane over 18 People, Claudio Poleschi Arte Contemporanea, Lucca, Italy
- The History of the Foksal Gallery Taught to an Unemployed Ukrainian, FOKSAL Gallery Foundation, Warsaw
- 11 People paid to learn a phrase, Project Room, ARCO'02, Madrid, Galerie Peter Kilchmann
- Person saying a Phrase, IKON Gallery, Birmingham
- Two Maraca Players, Enrique Guerrero Gallery, Mexico City
2001
- 430 people paid 7 1/2 Soles ($ 1/2) per hour, Pancho Fierro Gallery, Lima, Peru
- Sit-In by twenty workers in the hold of a boat, Barcelona, Spain
- Banner held outside the entrance to an artfair, Art Unlimited Basel, Peter Kilchmann Gallery
- Object measuring 600 x 57 x 52 cm constructed to be held horizontally to a wall, Peter Kilchmann Gallery Zurich
2000
- Six People who cannot be remunerated for the Staying in the interior of Cardboard Boxes, Kunstwerke, Berlin
- Person Remunerated for a Period of 360 Consecutive Hours, P.S.1, Long Island City, New York, USA
- 12 Remunerated Workers, Ace Gallery New York, USA
- Public transported between two points of Guatemala City, Bella de Vico Arte Contemporaneo
1999
- Line of 250 cm tattooed over six paid persons, Espacio Aglutinador, Havana, Cuba
- 465 Remunerated People, Gallery Seven, Mexico City, Mexico
- 24 Concrete Blocks moved continuously during one working period by ten remunerated workers, Ace Gallery Los Angeles, USA
GROUP EXHIBITIONS (SELECTED)
2007
- Plataforma Puebla 2006. Curators: Príamo Lozada & Bárbara Perea
2004
- Arrangement of Twelve Prefabricated Parapets, Herzliya Museum of Art, Israel
- Sao Paulo Biennale, Sao Paulo, Brasile
- Liverpool Biennale, UK
- 'Soziale Kreaturen', Wie Körper Kunst wird, Sprengel Museum Hannover, Hannover
- 'El real viaje real', Museo Patio Herreriano, Valladolid, Spain
2003
- 'El real viaje real', PS1, Long Island City, New York, USA
- 'fast forward', Media Art/Sammlung götz, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
- 'Terror Chic', Monika Sprüth / Philomene Magers Gallery Munich, Germany
- 'Stretch', Powerplant Contemporary Art Gallery, Toronto, Canada
- 'Hardcore', Palais de Tokyo, Paris, France
- 'Witness - Contemporary Artists document our Time', Barbican Art, Barbican Center, London, UK
- 'Mexico Attacks', Associazione per L'Arte Contemporanea Prometeo, Lucca, Italy. Herzliy Museum of Art, Herzliya, Israel
- 'M ARS - Art and War', Neue Galerie Graz am Landesmuseum Joanneum, Austria
2002
- '20 Million Mexicans Can't be Wrong', South London Gallery, London, UK 'Centre of Attraction', The 8th Baltic Triennial of International Art, Contemporary Art Center Vilnius, Lithuania
- 'Mexico City: An Exhibition about the Exchange Rates of Bodies and Values', P.S.1, Long Island City, New York, USA
- 'Protest! Respect! - Politik als ästhetische Kategorie', Kunsthalle St. Gallen, Swizerland
- 'Trans Sexual Express', ATRIUM, A Coruña, Spain
- 'The song of the pirate', Centro Cultural Andratx, Mallorca, Spain
- 'Art & Economy', Deichtorhallen, Hamburg, Germany
- 'Spanish Contemporary Art', Borusan Art Gallery, Istanbul, Turkey
- 'Trans Sexual Express', Budapest, Hungary
- 'Loop', P.S.1 Contemporary Art Center, Long Island City, New York
2001
- 'Marking the Territory', Irish Museum of Modern Art, Dublin, Republic of Ireland
- 'ARS 01 - Unfolding perspectives', KIASMA, Helsinki, Finland
- 'Loop', Hypo Kunsthalle, Munich, Germany-travels to P.S.1, Brooklyn, New York
- Person paid to remain tied down to a wooden block, 'Transsexual Express', Santa Mónica Contemporary Art Center, Barcelona, Spain
- Kunsthalle Hanover, Germany
- 49th Biennale di Venezia, Venice, Italy
- Trienal de Barcelona, Barcelona, Spain
- 'Artistas Latinoamericanos', Salvador de Bahia, Brasil
2000
- 'Latin America', Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
- 'PICAF Living the Islands', Pusan, Republic of South Korea
- 'A shot in a head', Lisson Gallery, London, UK
- 'EV. A 2000, Friends and Neighbours. The 4th Biennial invited ev. a.', Limerick, Ireland
1999
- Concentration of Illegal Workers, BF 15 Gallerys' Stand, FIAC, Paris, France
- 'No Title',Guatemala
- 'Representar/Intervenir', X-Teresa Arte Actual, Mexico City
- 'Parada continua/Frequent Stops', Museo Carrillo Gil, Mexico City
1998
- 'Made in Mexico made in Venezuela', Art Metropole Gallery, Toronto, Canada
- 'Cambio II', Sandra Gehring Gallery, New York, USA
- 'Despues del cuerpo', 127 Gallery, Mexico City
CATALOGUES
- Santiago Sierra, 7 Trabajos/7 Works, Lisson Gallery, London, UK, november, 2007. Texts by Pilar Villela, Mariana David, Javier San Martín, Taiyana Pimentel
- Santiago Sierra. Texts by Fabbio Cavallucci and Carlos Jiménez. Published for the occasion the special project Una Persona, Galleria Civica di Arte Contemporanea, Trento, Italia
- Santiago Sierra, Spanish Pavilion. 50th Venice Biennale, Venice, Italy
- Santiago Sierra, Kunsthalle Wien, Wien, Österreich, March, 2002. Interview by Gabriele Mackert
- Santiago Sierra. Espreado de poliuretano sobre 18 personas, Claudio Poleschi Arte Contemporanea. Lucca, Italy, March 2002. Text by Pier Luigi Tazzi
- Santiago Sierra. Works 2002-1990, IKON Gallery, Birmingham, UK, Februrary, 2002. Text by Katya García-Antón
- Santiago Sierra, Galerie Peter Kilchmann, Zürich, Switzerland, March 2001. Text by Taiyana Pimentel
SELECTED BIOGRAPHY
2003
- Interviews, Kunsthalle Wien, Triton Verlag, Vienna, Austria. Interview by Gerald Matt
- Hardcore - Vers un nouvel activisme, Palais de Tokyo, Éditions Cercle D'Art, París, Francia. Interview by Jérôme Sans
- Witness, Barbican Art Center, London, UK
- Mexico Attacks!, Chiesa di San Matteo, Associazione Promoteo per l´Arte Contemporanea, Lucca, Italia
- M_ARS. Art and War, Neue Galerie Graz, Graz, Austria
2002
- Zivot umjetnosti, Institut za povijest umjetnosti, Zagreb, Croatia. Interview by Ivana Keser
- Comer o no comer, Centro de Arte de Salamanca, Salamanca, Spain. Text by Carlos Jiménez
- Otredad y mismidad, Espacio Anexo a la Galería de Arte Contemporáneo y Diseño, Puebla, Mexico. Text by Ana María Guasch.
- 20 Million Mexicans Can´t Be Wrong, South London Gallery. London, UK. Text by Cuauhtémoc Medina
- Mexico City: an Exhibition about the Exchange Rates of Bodies and Values, P.S.1 Contemporary Art Center, New York, USA
- Art & Economy, Deichtorhallen Hamburg. Hatje Cantz Verlag. Ostfildern, Germany. Text by Claudia Spinelli
- The Hall of Lost Steps, Borusan Kültur ve Sanat, Istanbul, Turkey. Text by Rosa Martínez
2001
- Angst, Kokerei Zollverein, Essen, Germany
- Santiago Sierra. 430 personas remuneradas por 7.5 soles la hora, Galería Pancho Fierro, Centro de Artes Visuales, Lima, Perú. Text by Juan Peralta
- Políticas de la diferencia. Arte Iberoamericano de fin de siglo, Valencia, Spain - Pernambuco, Recife (Brazil): Consell General del Consorci de Museus de la Comunitat Valenciana-Governo do Estado de Pernambuco. Centro de Convenciones de Pernambuco. Text by Cuauhtémoc Medina.
- ARS 01-Unfolding Perspectives, Museum of Contemporary Art Kiasma, Helsinki, Finland
- Pay Attention Please, Museo d'Arte Provincia di Nuoro, Olbia, Italia
- Trans Sexual Express: A Classic for the Third Millennium, Centre d'Art Santa Mònica, Barcelona, España. Text by Taiyana Pimentel
- Comunicación entre las artes. I Bienal de Valencia, Generalitat Valenciana, Valencia, España
- Plateau of Humankind. 49 Biennale di Venezia, Venice, Italy. Text by Taiyana Pimentel
- Neue Welt, Frankfurter Kunstverein, Frankfurt, Germany
2000
- No es sólo lo que ves: pervirtiendo el minimalismo, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. Text by Taiyana Pimentel
- Leaving the Island, Pusan International Contemporary Art Festival, Pusan, Korea
- Puerto Rico '00 [Paréntesis en la ciudad], M&M proyectos, San Juan de Puerto Rico, Puerto Rico
